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Another one of Dwayne’s classic essays-

EDGEWISE is my late, lamented (well, I miss the checks, anyway) Science Fiction and Fantasy column, hosted by the good folks at FantastiCon.com.

Edgewise #1 – Dwayne launches his sci-fi media column and confesses his affection for a scary Libertarian fascist author.

Edgewise #1

Welcome to the first installment of Edgewise, a regular column by yours truly, wherein I spout off profoundly about all things fantastic. Or spout off fantastically about all things profound. One things for sure: I’ll be spouting off. Our topic of discussion will be fantasy and science fiction in the media, including film, television, books and comics. Since I’m doing this on a web site, I suppose I’ll also comment on the bewildering mass of converging technologies that some folks call “new media.” So yes, the continuing adventures of Laura Croft will be addressed at some point, should I ever manage to get out of the practice room in her house. Or work the controller (Don’t give up hope; my ten-year-old nephew has promised to tutor me, in return for my arcane knowledge of long division. I have already learned how to hold the controller right side up. Stay tuned).

So who am I to be telling you what I think about Science Fiction? For one thing, I’m a fan. Ive been hooked since that day in second grade I discovered the “Heinlein shelf” of juvenile novels in my school and read them all “in order” (for some reason, these generally unrelated novels had numbers on the spine. I knew what I had to do). Even today I occasionally discover one of Heinlein’s creepy, right wing ideas, still lodged in my head, imprinted on my innocent young mind while I was only trying to find more stories about kids in space. Brrrr. But I’m okay now, a card-carrying member of the liberal media. You know about us, right? The internet is just crawling with us lefties. Anyway, shortly after my Heinlein gorge, I hit the motherlode. A friend of the family gave me a whole grocery bag full of science fiction paperbacks; Ace Doubles; novels and short story collections by Asimov, Clarke and Bradbury; A wonderful stack of Robert Sheckley; an anthology called DANGEROUS VISIONS, that we’ll come back to when I have more time; a bunch of adult Heinlein novels (including FARNAM’S FREEHOLD, a book so paranoid and racist that it would have driven me to join the Black Panther Party in retaliation, if they’d taken eight-year-olds); Hal Clement’s A MISSION OF GRAVITY; “Doc” Smith’s purple cosmic sagas; and a lot of AndrĂ© Norton. Can’t win ‘em all. I began a love affair with written Science Fiction that lasted until STAR WARS redefined the genre into stuff that I’ll look at in a movie theatre but certainly won’t waste my time reading.

Speaking of crap I enjoy looking at, I haven’t yet touched on the TV and film of my youth, a dark age so primitive that science fiction fans watched the Six Million Dollar Man on TV because that’s all there was! Unfortunately, I’m running long, so that’ll have to wait until next time. Also next time, I’ll talk about some stuff that came out after you were born, good stuff like BUFFY and BABYLON 5 and stuff I can’t believe they didn’t cancel already, like NIGHTMAN.

Dwayne McDuffie is a founder of Milestone Media and has written more comic books than you’ve read, unless you’re something of a social misfit. If so, that’s okay, he loves you anyway. But go outside, get some sun, meet some people. You’ll be glad you did.

Comic Script: Damage Control #1 (2007)

March 12th, 2012 | Posted by Eugene Son in Scripts - (Comments Off)

These are pages 1-6 from the first draft of Dwayne’s script for the Marvel comic book Damage Control #1 published in 2007. The script had to be converted to post online, so any typos are probably my fault.

DAMAGE CONTROL: AFTERSMASH #1
"Whatever Happened To All The Fun In The World?"
Dwayne McDuffie
Script for 5 Pages
First Draft, 08/27/07

Page 1

PANEL 1

Exterior SHIELD HELICARRIER, in flight.

                    TALKING HELICARRIER
          Nice place you have here--

PANEL 2

A HUGE, Hi-Tech SHIELD CONFERENCE ROOM. TONY STARK is 
greeting ANNE MARIE HOAG and ALBERT CLEARY, who are 
flanked by two very serious uniformed SHILD officers. 
Stark has taken Hoag's hand.

                    HOAG
          --how much did it cost, 
          Tony? 20 Billion 
          Dollars? More?

                    STARK
          That's classified, Anne.

PANEL 3

Favoring wryly smiling Hoag. Tony's smiling too, but 
tightly.

                    HOAG
          In any event, it cost 
          enough that I daresay
          budget isn't going to be 
          a problem.

                    STARK
          That's what we're here 
          to determine.

PANEL 4

Hoag indicates Albert, standing beside her.

                    HOAG
          Speaking of which, Have 
          you met my CFO?

PANEL 5

Charming Tony shakes hands with Albert, who is not a 
fan.

                    TONY
          Albert Cleary. We worked 
          together once, years 
          ago. 

                    HOAG
          Of course, on the LBO. 
          I'd forgotten.

                    ALBERT
          Mr. Stark. 

PANEL 6

All are seated at one end of the huge conference 
table. There is a bit of a spread. Coffee and fruit, 
Stark is helping himself, Hoag has a cup. Albert is 
opening his portfolio. 

                    HOAG
          So. Manhattan is in 
          crisis and you need 
          Damage Control.

                    STARK
          The first thing I need 
          is a number.

Page 2

PANEL 1

Favoring Hoag. Stark doesn't like what he's hearing.

                    HOAG
          164 Billion Dollars.

                    STARK
          That's ludicrous.

PANEL 2

Albert looks up from his papers.

                    ALBERT
          That's a bargain. It's 
          assuming only a three 
          percent margin of error. 
          Much too thin for my 
          tastes.

PANEL 3

On Stark, not liking it. Hoag is dismissive.

                    STARK
          I can't sell this. The 
          administration wants to 
          give this contract to 
          Halliburton.

                    HOAG
          My mistake. I thought 
          they wanted New York 
          City repaired.

PANEL 4

Favoring Albert, coolly explaining. Hoag is giving him
a warning look.

                    ALBERT
          This isn't Baghdad, Mr. 
          Stark, or even the Ninth 
          Ward. 

                    HOAG
          Albert.

                    ALBERT
          It's not enough to 
          shovel money to the 
          President's buddies, the 
          work has to get done. 

PANEL 5

Hoag has put her hand on Albert's wrist, a signal for 
him to calm down. She looks directly at Stark.

                    HOAG
          This isn't a negotiating 
          tactic, Tony. It's what 
          the job's going to cost. 

Page 3

PANEL 1

Tony is looking at Albert. 

                    TONY
          Okay. Break it down for 
          me. But spare me the 
          editorial, if you don't 
          mind?

PANEL 2

Favoring Albert

                    ALBERT
          Starting with the good 
          news; There's been so 
          much damage caused by 
          superhero battles over 
          the years, The City Of 
          New York was legally 
          declared a perpetual 
          disaster area.

                    TONY
          And that's the good 
          news?

PANEL 3

Tony listens as Albert explains.

                    ALBERT
          Yes. Because concurrent 
          with that declaration, 
          Congress created a 
          Federal Insurance Fund 
          to cover superhero 
          damage.

                    TONY
          The "Superfund."

PANEL 4

Albert is looking down at his papers again, reading 
from them.

                    ALBERT
          There's currently 128 
          billion dollars in that 
          pool. We'll need it all.

PANEL 5

Favoring Hoag.

                    TONY
          Can we pick up the rest 
          from private insurers?

                    HOAG
          They won't pay. They 
          consider The Hulk's 
          rampages "acts of god." 

Page 4

PANEL 1

Big panel. Tony is thoughtful, close on his face as 
he's remembering his battle with Hulk. The background 
is a shot of Hulk smashing into his heavy-duty Iron 
Man armor as seen in World War Hulk #1.

                    TONY
          He's vengeful, but he's 
          not God.

PANEL 2

Hoag touches Tony's shoulder to break his reverie.

                    HOAG
          We need another 36 
          billion in Federal 
          funds.

PANEL 3

Favoring smirking Albert. Hoag scowls at him.

                    ALBERT
          Less than the cost of 
          four months in Iraq. 
          What do you say?

                    HOAG
          Albert! 

                    ALBERT
          "The opinions expressed 
          in this conversation are 
          not necessarily those of 
          Damage Control, Inc."

PANEL 4

Favoring Tony. He's standing now, looking out of the 
BIG window and leaning on the "sill." Hoag is standing 
behind him.

                    TONY
          I'll have to take this 
          upstairs.

                    HOAG
          Oh, please. You already 
          ran these numbers. And 
          you wouldn't be here at 
          all if you didn't have 
          budget authority. 

PANEL 5

Favoring Hoag.

                    HOAG
          So what's the decision, 
          Tony? Do we fix your 
          city, or not? 

Page 5 & Page 6 

DOUBLE PAGE SPLASH

I'm assuming there's either a recap page on page one, 
or an ad page somewhere in the first 4 pages, to make 
the spread come out right. 

It's a disaster scene. Looking down on Lower 
Manhattan. The great orange scar through midtown is 
visible (see WWH #5 for reference), as is as much 
wreckage as you can draw. World War Hulk has pretty 
much trashed the city.

                    STARK CAPTION
          Get to work, Mrs. Hoag...

                    LOGO
          DAMAGE CONTROL: 
          AFTERSMASH 

                    TITLE
          "Whatever Happened To 
          All The Fun In The 
          World?"

                    CREDITS